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3D Skeleton Duvet Cover Bedding Set Man Ghost Skull Quilt Cover Set Pillowcase

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3D Skeleton Duvet Cover Bedding Set Man Ghost Skull Quilt Cover Set Pillowcase

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Building the Modern Family

Western Fertility Institute firmly believes that any person who wishes to have a family has the right to pursue their dreams of becoming a family, regardless of marital status or sexual orientation. We offer the opportunity to choose from various family building options in a continuously attentive and welcoming environment. We are proud of our ability to professionally and compassionately facilitate the pursuit of our patients’ dreams of becoming a family.

Sours: http://www.westernfertility.com/Set-Man-Ghost-Skull-Quilt-Cover-Set/Home-&-Garden-kvedbd-317276.shtml

The Greatest Album Covers: 100 Pioneering Sleeve Designs

We’re usually all about celebrating the way records sound, here we celebrate the way they look. This countdown of great album covers – some iconic, others overlooked – has it all: indelible images, perfect portraits, nightmares, and hallucinations. Along with plenty of sex and provocation, since much of this list of the greatest album covers revels in rock’n’roll imagery.

100: The Flamin’ Groovies: Supersnazz (design by Cyril Jordan)

The Flamin’ Groovies Supersnazz

Bandleader Cyril Jordan’s terrific comic art has turned up on numerous The Flamin’ Groovies covers and posters over the decades. On their 1969 debut, the cavorting characters were there to remind you how much fun rock’n’roll was supposed to be.

99: The Bee Gees: Odessa

Bee Gees Odessa

If The Beatles could do a double “White Album,” the Bee Gees could do a fuzzy red one. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to be unique and beautiful, which it was.

Listen here:

98: The Rolling Stones: Beggars Banquet (design by Barry Feinstein)

The Rolling Stones - Beggars Banquet cover

 

Beggars Banquet is a rare case where an album’s two famous covers really complement each other. Put the notorious bathroom cover together with the engraved invitation on the US replacement, and you’ve got the yin and the yang of The Rolling Stones at the time.

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97: Ol’ Dirty Bastard: Return to the 36 Chambers: The Dirty Version (design by Alli Truch, photo by Danny Clinch)

Return to the 36 Chambers: The Dirty Version

Whenever hip-hop started to take itself too seriously, ODB was there to disrupt, agitate, and give the middle finger to convention. Forgoing any blinged-out tropes, the former Wu-Tang member put a doctored version of his welfare ID card on the front cover of his solo debut, as both a reminder of where he came from and to destigmatize being on public assistance. As he rapped on Wu-Tang’s “Dog Sh_t,”: “Got meals but still grill that old good welfare cheese.”

96: Nick Lowe: Jesus of Cool/Pure Pop for Now People (design by Barney Bubbles)

Nick Lowe Jesus of Cool

On an album that made a mad dash through the whole of pop history, Nick Lowe pictured himself in a bunch of different guises, from rockabilly hoodlum to sensitive balladeer (there were different pics on the US and UK versions), all with tongue firmly in cheek.

95: Jefferson Airplane: Long John Silver (design by Pacific Eye & Ear)

Jefferson Airline - Long John Silver

Jefferson Airplane’s Long John Silver hails from the golden age of elaborate album covers. Since people were already using LPs to store and clean marijuana, the Airplane gave you a cardboard box holder for it, along with the pot, or at least a realistic-looking photo.

94: Billie Eilish: When We All Fall Asleep, Where Do We Go? (design by Kenneth Cappello)

Billie Eilish: When We All Fall Asleep, Where Do We Go?

Any artist who dares to look this terrifying on the cover of their first album deserves all the platinum success they get. Inspired by the album’s themes of the subconscious, the dark sleeve of Billie Eilish’s When We All Fall Asleep, Where Do We Go? served notice that Eilish was here to mess with your head.

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93: Parliament: Mothership Connection (photo by David Alexander, design by Gribbitth)

Parliament: Mothership Connection

George Clinton’s gonzoid take on outer-space adventure found its perfect match in the spaceship-party cover for Parliament’s Mothership Connection. The fact that it looked remarkably low budget only made it funkier.

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92: Geto Boys: We Can’t Be Stopped (design by Cliff Blodget)

Geto Boys: We Can’t Be Stopped

Walking a razor-thin line between exploitation and cultural commentary was the Geto Boys’ modus operandi, and nothing exemplified this dynamic more than their 1991 LP cover art. The graphic photo of Bushwick Bill at the hospital was as unflinching as their music.

91: The Cars: Candy-O (design by Alberto Vargas)

The Cars: Candy-O

Alberto Vargas was already the most famous pin-up artist before designing the cover for The Cars classic 1979 album Candy-O, but this painting of a stylish redhead, on a car of course, became his most famous piece. Candy-O is one of the two best uses of pin-up art on a rock record, along with…

90: Courtney Love: America’s Sweetheart (design by Olivia De Berardinis)

Courtney Love: America’s Sweetheart

For her debut solo album, Courtney Love took the Cars’ concept a step further by enlisting the younger, edgier pin-up artist (known professionally as Olivia) to paint her. Of course, it got an extra dimension by playing with Love’s own image at the time.

89: The Rolling Stones: Their Satanic Majesties Request (design by Michael Cooper)

Their Satanic Majesties Request

The Rolling Stones probably couldn’t beat the Beatles for a psychedelic album in 1967, but they arguably had the better cover, the first 3D sleeve in rock. Ten points if you can find where the Beatles are hiding in the 3D image on Their Satanic Majesties Request.

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88: Public Image Ltd: The Flowers of Romance

Public Image Ltd: The Flowers of Romance

PiL’s follow-up to their famous Metal Box cover was even more effective, showing non-performing bandmember Jeanette Lee with a rose in her teeth, a weapon in her hand, and a murderous look in her eyes.

87: The Velvet Underground: The Velvet Underground & Nico (design by Andy Warhol)

The Velvet Underground: The Velvet Underground & Nico

It was weird, it was witty, it was Warhol. The minimalism of The Velvet Underground & Nico peel-away banana cover became an influence on punk visual style many years later and remains one of the greatest album covers.

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86: The Miracles: Hi, We’re The Miracles (design by Wakefield & Mitchell)

The Miracles: Hi, We’re The Miracles

The cover for The Miracles’ 1961 debut encapsulates the old-school showbiz that Motown would soon lead the world away from. But it’s so cheerful that you still have to love it.

85: The Go-Gos: Beauty & the Beat (design by Ginger Canzoneri, Mike Doud, Mick Haggerty, Vartan)

The Go-Gos: Beauty & the Beat

The Go-Go’s sense of playful subversion extended to their sendup of glamorous cover photos on their hit debut, Beauty & The Beat. It was their party; you could join if they let you.

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84: Dr. Dre: The Chronic (design by Michael Benabib)

Dr. Dre: The Chronic

This cover did wonders with its simple strategy. On his Dr. Dre’s solo debut The Chronic, the design assumed that Dre was already an icon and presented him accordingly.

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83: Quincy Jones: The Dude (design by Fanizani Akuda)

Quincy Jones: The Dude

Jeff Bridges’ got nothing on the original “The Dude,” the effortlessly cool and quixotic character that appears on Quincy Jones’ genre-blending solo debut. Q always had an ear for talent – as his cross-cultural LP proved – but he also had an eye for design. (He spotted the eponymous “Dude” statue at an art gallery and took it home for inspiration.)

82: Cocteau Twins: Heaven or Las Vegas (design by Paul West)

Cocteau Twins: Heaven or Las Vegas

The design-centric 4AD label did some of its finest work on for the Cocteau Twins. This shimmering image is undeniably beautiful, yet you never know just what it means…just like their music.

81: James Brown: Hell (design by Joe Belt)

James Brown Hell

Arriving one year after his milestone album The Payback, Brown delivered the double-album Hell, which called out societal ills both on record and on the elaborately illustrated cover. Designed by artist Joe Belt, who made his name capturing the characters of the Wild West, Belt trained his aim on another dark chapter of American history, depicting fallen soldiers, addicts, and an imprisoned populace.

80: Slayer: Reign in Blood (design by Larry Carroll)

Slayer: Reign in Blood

A soft cover just wouldn’t be right for Slayer’s thrash masterpiece Reign in Blood and designer Larry Carroll packed a thousand nightmares into this Bosch-like painting, which influenced metal imagery for decades to come.

79: King Crimson: In the Court of the Crimson King (design by Barry Godber)

King Crimson: In the Court of the Crimson King

Robert Fripp saw this dramatic painting after In the Court of the Crimson King was completed and knew it perfectly suited the music, with the crazed cover figure as the 21st century schizoid man. Sadly, the artist passed away only months afterwards.

78: Moby Grape: Wow (design by Bob Cato)

Moby Grape Wow

One of the psych era’s great hallucinations, the cover for Moby Grape’s 1968 double-album Wow showed an otherworldly landscape with the world’s largest bunch of grapes. Wow indeed.

77: Kayne West: Yeezus (design by Kanye West and Virgil Abloh)

Kanye West Yeezus

Kanye West brings the minimalist “White Album” concept to the CD era. You could also see Yeezus as the last celebration of the physical CD before it disappeared.

Listen here:

76: Elvis Presley: 50,000,000 Elvis Fans Can’t Be Wrong (design by Bob Jones)

50,000,000 Elvis Fans Can’t Be Wrong

Ultra-cool Elvis (in his shiny gold Nudie suit) gets multiplied in one of the most enduring early 60s images and greatest album covers. If there are that many Elvis fans, we will, of course, need 15 Elvises.

75: Black Flag: My War (design by Raymond Pettibon)

Black Flag: My War

Black Flag’s trailblazing punk-metal wouldn’t have been the same without Pettibon’s grisly comic images, though in this case, not quite as grisly as the album itself.

74: Talking Heads: Speaking in Tongues (design by Robert Rauschenberg)

Talking Heads Speaking in Tongues

The abstraction of the Talking Heads’ beautiful, moving-parts cover for their 1983 record Speaking in Tongues couldn’t have better represented the music within. It would have been rated higher if the thing wasn’t so tough to store.

73: The Mothers of Invention: We’re Only In It for the Money (design by Cal Schenkel)

The Mothers of Invention: We’re Only In It for the Money

Frank Zappa wrapped his skewering of hippie culture We’re Only In It for the Moneyin an equally vicious parody of the Sgt. Peppersleeve to great success.

72: The Pogues: Peace and Love (design by Simon Ryan)

The Pogues: Peace and Love

The boxer was already a perfect image for the Pogues, but don’t miss the subtle joke: the word “peace” of course has five letters.

71: Rush: Moving Pictures (design by Hugh Syme)

Rush Moving Pictures

Sours: https://www.udiscovermusic.com/stories/the-100-greatest-album-covers/
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Does This Photo Capture a Skull-Like Face in the Clouds?

One of the more common “face in the clouds” images that circulate on social media is the following picture, which seemingly captures an evil, grinning, skull-like countenance said to have appeared in the sky in any one of a number of various locales.

Even viewers who aren’t well-versed in digital editing can spot this image for what it is, particularly if they’re heavy metal fans — the macabre visage supposedly glimpsed in the clouds and captured on film was directly lifted from the cover illustration for Iron Maiden’s 2000 album, “Brave New World”:

The album’s title was taken from the famous 1932 dystopian Aldous Huxley novel, and the sky portion of its cover art was created by artist Derek Riggs.

  • Published
Sources

Wikipedia.   “Brave New World (Iron Maiden album).”
    Accessed 23 September 2019.

Sours: https://www.snopes.com/fact-check/does-photo-show-skull-face/
keshi - skeletons cover
“Arizona war worker writes her Navy boyfriend a thank-you note for the Jap skull he sent her.” LIFE magazine’s “Picture of the Week,” May 22, 1944.

“Arizona war worker writes her Navy boyfriend a thank-you note for the Jap skull he sent her.” LIFE magazine’s “Picture of the Week,” May 22, 1944.

A rare and disturbing picture, so much about this it’s still a mystery. We don’t know what became of the skull—or, indeed, what became of the young woman herself, or the man who sent it to her as a “gift” from the Pacific in the midst of World War II.

The image, taken by Ralph Crane, was featured on LIFE magazine as a Picture of the Week in the May 22, 1944, issue. The original caption: “When he said goodbye two years ago to Natalie Nickerson, 20, a war worker of Phoenix, Ariz., a big, handsome Navy lieutenant promised her a Jap. Last week Natalie received a human skull, autographed by her lieutenant and 13 friends, and inscribed: “This is a good Jap—a dead one picked up on the New Guinea beach.” Natalie, surprised at the gift, named it Tojo. The armed forces [LIFE pointedly noted] disapprove strongly of this sort of thing”.

Battlefield atrocities have of course been a part of warfare since humans began killing one another. As Niall Ferguson pointed out in his 2006 book, The War of the World: Twentieth-Century Conflict and the Descent of the West, while discussing this very photograph of young Natalie Nickerson and the Japanese skull: “Allied troops often regarded the Japanese in the same way that Germans regarded Russians—as Untermenschen. Boiling the flesh off enemy skulls to make souvenirs was a not uncommon practice. Ears, bones, and teeth were also collected.

At one point President Roosevelt was presented with a letter opener made from a man’s arm. He is said to have received it warmly but to have had the item interred with other remains later. That story and the photo of Natalie and Tojo found their way into the Japanese press.

The fact it was so common in the Pacific theater and not European is a testament to the effectiveness of dehumanizing propaganda. Some historians have claimed that stories of US soldiers desecrating remains helped cause the mass suicide of civilians who leaped into the sea at Saipan and Okinawa.

After the war, as Japan became a trusted US ally, souvenir body parts ceased to be respectable conversation pieces and were quietly put away.

(Photo credit: Ralph Crane).

Sours: https://rarehistoricalphotos.com/young-woman-japanese-skull-1944/

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Sours: https://www.istockphoto.com/vector/skeleton-system-icon-with-bulging-glass-cover-gm814906178-131902525
keshi - skeletons (cover)

Skeletons (Danzig album)

2015 studio album by Danzig

Skeletons is the tenth studio album by the American heavy metal band Danzig, released on November 27, 2015 and consisting entirely of cover versions of songs from the 1960s through 1980s, selected by singer Glenn Danzig.[1][2][3]

Background and recording[edit]

Glenn Danzig claimed to have planned to do an album of cover songs as far back as 1979.[4] In 2011 he stated that he had recorded "about seven or eight covers" and was considering releasing them as an EP: "There's a cover of Sixties band The Young Rascals and I'm doing a Nuggets track too. Nuggets were these pre-punk, psychedelic, garage albums. They produced a bunch of influential compilations in the early Seventies. So currently this is an ongoing project, laying down as many tracks as I feel like and maybe releasing a seven- or eight-song EP of the best ones once they're done."[5] In announcing the album in June 2015 he stated "I had to put it out now or else there would be so many songs I'd want to do that I wouldn't be able to do it. Even the way I did it, there are so many songs I still wanted to cover. My attitude with covers is, make it your own or else leave it alone."[6]

Skeletons marked the first time since 1994's Danzig 4 that the band had recorded more than one album with the same line-up, but as with their previous album Deth Red Sabaoth, it does not include bassist Steve Zing.[7] Danzig sang and played piano, guitar, and bass guitar on all of the tracks, and played drums on half of them.[7]Johnny Kelly played drums on the rest of the tracks, while Tommy Victor played lead guitar as well as other guitar and bass parts.[7] The album was produced by Glenn Danzig, engineered by Chris Rakestraw at Sunset Lodge in California, mixed by Danzig and Rakestraw, and mastered by Gene Grimaldi.[7]

With the exception of ZZ Top's 1986 single "Rough Boy", all of the songs covered on Skeletons date to between 1962 and 1974, when Glenn was between the ages of six and eighteen. The album's title refers to "'skeletons in your closet', it's like pulling out old songs", he said.[6] "These are my skeletons. You may or may not know that I dig these songs. You could say that some of this music is the actual basis and skeleton of what I listened to growing up — ultimately informing the kind of music I like. It's the foundation. If you took Elvis and [Black] Sabbath out of my life, I probably wouldn't be the Glenn Danzig you know! I'm glad both sides are represented on this record."[8] Two songs from outlaw biker films of the late 1960s are covered: "Devil's Angels" from the 1967 film of the same title, and "Satan" from 1969's Satan's Sadists.[9] A cover of Nancy Sinatra and Lee Hazlewood's 1967 hit "Some Velvet Morning" was recorded as a duet featuring former Runaways singer Cherie Currie, but was left off of the final album because, according to Glenn, "the publisher wouldn't let us use the song because they didn't like what we did with it."[4] It was, however, released online prior to the album coming out. He also stated that a cover of an Ennio MorriconeSpaghetti Western theme was recorded, but that he was "not happy with the way it came out, but maybe I'll fix it and put it on some kind of limited edition thing."[4]

In a 2017 radio interview with Full Metal Jackie, Glenn also mentioned that a cover of Iggy Pop's "Funtime" and Patsy Cline's "Walkin' After Midnight" (another duet with Cherie Currie) were recorded during the Skeletons sessions.

Cover image[edit]

The cover image, photographed by Paul Brown, is based on the cover of David Bowie's 1973 covers album Pin Ups, and features Glenn Danzig posing in skull makeup with Kayden Kross, a former pornographic film actor, in a similar pose to that of Bowie and supermodel Twiggy on the Pin Ups cover.[10][11][12] "One of my favorite covers records is David Bowie's Pin Ups", said Danzig, "and I wanted to do a take on that, and the record is called Skeletons so I decided I'd do the skull face."[11] Danzig had worn skull makeup on a few occasions during his time in the Misfits; he recalled "I wore makeup only at a couple of live shows and maybe for a photo shoot. I think it was originally for a Halloween show, '79, at [New York City's] Irving Plaza. I also had the skeleton shirt and skeleton clothes on, so I was a full punk skeleton man."[6]

"Devil's Angels"[edit]

The album's first single, a cover of the theme song from the 1967 outlaw biker filmDevil's Angels, was originally released online in 2012.[13] A 7" single was released, with a "vocal & keyboard version" of the album track "Satan" (also a theme from an outlaw biker film, 1969's Satan's Sadists) as the B-side.[9] Of the song, Glenn said: "I've wanted to record 'Devil's Angels' since 1979 and this is exactly the same arrangement I had for it back then, so it pretty much sounds like that late '70s style of mine. I'm really happy with the way it turned out; it actually came out much better than I had hoped it would."[14]

Critical reception[edit]

James Christopher Monger of AllMusic rated Skeletons three and a half stars out of five, calling it "a delight for longtime fans, especially those who lean harder toward the Misfit/Samhain end of the spectrum. Raw, rowdy, and devoid of any sort of studio chicanery, Skeletons feels less like a proper Danzig album and more like a home recording of a boozy late-night house show. Surprisingly, its slapdash, lo-fi demeanor mostly works in its favor."[15] He was critical of the slower tracks, saying they were "weighed down by vocal takes that sound like they were laid down after a ten-mile run", and opined that the album would have benefited from the use of an outside producer, but compared it favorably to the band's previous album, 2010's Deth Red Sabaoth, calling it "a hell of a lot more fun."[15]

Track listing[edit]

1."Devil's Angels"Mike Curb, Guy Hemric, Jerry StynerDavie Allan & The Arrows2:41
2."Satan"Harley HatcherPaul Wibier4:14
3."Let Yourself Go"Joy ByersElvis Presley2:57
4."N.I.B."Geezer Butler, Tony Iommi, Ozzy Osbourne, Bill WardBlack Sabbath5:04
5."Lord of the Thighs"Steven TylerAerosmith4:05
6."Action Woman"Warren KendrickThe Litter3:42
7."Rough Boy"Billy Gibbons, Dusty Hill, Frank BeardZZ Top4:43
8."With a Girl Like You"Reg PresleyThe Troggs1:53
9."Find Somebody"Eddie Brigati, Felix CavaliereThe Young Rascals3:48
10."Crying in the Rain"Howard Greenfield, Carole KingThe Everly Brothers2:44

Personnel[edit]

Credits adapted from the album's liner notes.[7]

  • Glenn Danzig – vocals; piano; guitars; bass guitar; drums on tracks 3, 6, 7, 8, and 10; producer; mix engineer
  • Tommy Victor – lead guitar, guitars, bass guitar
  • Johnny Kelly – drums on tracks 1, 2, 4, 5, and 9
  • Chris Rakestraw – audio engineer, mix engineer
  • Gene Grimaldi – audio mastering
  • Paul Brown – cover and interior photographs
  • Corey Soria – back cover photograph

Charts[edit]

References[edit]

  1. ^"Glenn Danzig On 'Skeletons' Covers Ep: 'If I'm Going To Cover A Song, I'm Going To Give It A New Life'". Blabbermouth.net. 2015-07-25. Retrieved 2015-10-30.
  2. ^Dail, Jim (2015-07-08). "POMONA: Glenn Danzig unearths 'Skeletons' from his past - Press Enterprise". Pe.com. Retrieved 2015-10-30.
  3. ^"Glenn Danzig Pays Tribute to Black Sabbath, ZZ Top and More on New Covers Album". Ultimateclassicrock.com. 2015-06-26. Retrieved 2015-10-30.
  4. ^ abcJohn Jurgensen. "Glenn Danzig on His 'Skeletons' Covers Album and 'Portlandia' Cameo". WSJ.
  5. ^"Glenn Danzig Talks About Upcoming Covers Album In New Interview". Blabbermouth.net. 2011-05-26. Retrieved 2015-10-30.
  6. ^ abcGrow, Kory (2015-06-25). "Glenn Danzig Talks Covers LP 'Skeletons,' Reflects on Early Punk Days". Rolling Stone. Retrieved 2015-10-30.
  7. ^ abcdeSkeletons (CD liner notes). New York: Evilive Records/Nuclear Blast. 2015. 3646-0.
  8. ^"It Wouldn't Be Glenn Danzig Without Elvis Presley and Black Sabbath in His Life". Blabbermouth.net. 2015-10-12. Retrieved 2015-10-30.
  9. ^ ab"DANZIG To Release 'Devil's Angels' Single Next Week". Blabbermouth.net. 2015-08-29. Retrieved 2015-08-29.
  10. ^"Official Danzig Website". Danzig-verotik.com. Retrieved 2015-10-30.
  11. ^ ab"Glenn Danzig: Why I Decided To Cover Aerosmith's 'Lord Of The Thighs'". Blabbermouth.net. 2015-07-10. Retrieved 2015-10-30.
  12. ^"Official Danzig Website". Danzig-verotik.com. Retrieved 2015-10-30.
  13. ^"Danzig: 'Devil's Angels' Cover Available For Streaming". Blabbermouth.net. 2012-05-08. Retrieved 2015-10-30.
  14. ^"Music: Danzig: "Devil's Angels"". Punknews.org. 2012-05-09. Retrieved 2015-10-30.
  15. ^ abcMonger, James Christopher. "Review: Skeletons". AllMusic. Retrieved 2015-12-04.
  16. ^Van Horn Jr., Ray. "Danzig - "Skeletons"". Blabbermouth.net. Retrieved 2015-12-14.
  17. ^Barry, Sean (November 24, 2015). "Danzig – Skeletons". Consequence of Sound. Retrieved 2015-12-14.
  18. ^Thompson, Crash. "Review: Danzig's Covers Album Skeletons". MetalSucks. Retrieved 2015-12-29.
  19. ^Knopper, Steve (November 30, 2015). "'Skeletons' review: Danzig finds metal heart in cover album". Newsday. Retrieved 2015-12-14.
  20. ^Beaudoin, Jedd (November 23, 2015). "Danzig: Skeletons". PopMatters. Retrieved 2015-12-14.
  21. ^"Danzig Chart History (Billboard 200)". Billboard. Retrieved December 8, 2015.
Sours: https://en.wikipedia.org/wiki/Skeletons_(Danzig_album)

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This collection presents the theme of Scary Skeleton. You can choose the image format you need and install it on absolutely any device, be it a smartphone, phone, tablet, computer or laptop. Also, the desktop background can be installed on any operation system: MacOX, Linux, Windows, Android, iOS and many others. We provide wallpapers in formats 4K - UFHD(UHD) 3840 × 2160 2160p, 2K 2048×1080 1080p, Full HD 1920x1080 1080p, HD 720p 1280×720 and many others.

Android

  1. Tap the Home button.
  2. Tap and hold on an empty area.
  3. Tap Wallpapers.
  4. Tap a category.
  5. Choose an image.
  6. Tap Set Wallpaper.

iOS

  1. To change a new wallpaper on iPhone, you can simply pick up any photo from your Camera Roll, then set it directly as the new iPhone background image. It is even easier. We will break down to the details as below.
  2. Tap to open Photos app on iPhone which is running the latest iOS. Browse through your Camera Roll folder on iPhone to find your favorite photo which you like to use as your new iPhone wallpaper. Tap to select and display it in the Photos app. You will find a share button on the bottom left corner.
  3. Tap on the share button, then tap on Next from the top right corner, you will bring up the share options like below.
  4. Toggle from right to left on the lower part of your iPhone screen to reveal the “Use as Wallpaper” option. Tap on it then you will be able to move and scale the selected photo and then set it as wallpaper for iPhone Lock screen, Home screen, or both.

MacOS

  1. From a Finder window or your desktop, locate the image file that you want to use.
  2. Control-click (or right-click) the file, then choose Set Desktop Picture from the shortcut menu. If you're using multiple displays, this changes the wallpaper of your primary display only.

If you don't see Set Desktop Picture in the shortcut menu, you should see a submenu named Services instead. Choose Set Desktop Picture from there.

Windows 10

  1. Go to Start.
  2. Type “background” and then choose Background settings from the menu.
  3. In Background settings, you will see a Preview image. Under Background there is a drop-down list.
    1. Choose “Picture” and then select or Browse for a picture.
    2. Choose “Solid color” and then select a color.
    3. Choose “Slideshow” and Browse for a folder of pictures.
  4. Under Choose a fit, select an option, such as “Fill” or “Center”.

Windows 7

  1. Right-click a blank part of the desktop and choose Personalize.
    The Control Panel’s Personalization pane appears.
  2. Click the Desktop Background option along the window’s bottom left corner.
  3. Click any of the pictures, and Windows 7 quickly places it onto your desktop’s background.
    Found a keeper? Click the Save Changes button to keep it on your desktop. If not, click the Picture Location menu to see more choices. Or, if you’re still searching, move to the next step.
  4. Click the Browse button and click a file from inside your personal Pictures folder.
    Most people store their digital photos in their Pictures folder or library.
  5. Click Save Changes and exit the Desktop Background window when you’re satisfied with your choices.
    Exit the program, and your chosen photo stays stuck to your desktop as the background.
Sours: https://wallpaper-mania.com/background/horror-wallpapers/scary-skeleton/


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